Dobro drvo pdf

Dugo je vremena opet prolo, a. I uivaj! Moe li mi ti nabaviti jednu kuu? U stvari, itava uma je moja kua. Ali, evo moe posei moje grane i od njih sebi sagraditi kuu. I tako e biti srean. I Dobro drvo ponovno se osealo jako srenim. Moe li mi nai jedan amac?

Dosta je vremena minulo i deak se najzad ponovno pojavi. Zna ne raam vie jabuke. Sad sam ti samo jedan stari panj. Zna jako sam umoran. Doi deae, i sedi. Sedi i odmori se. I Dobro drvo se oseti beskrajno srenim. Open navigation menu. Close suggestions Search Search. User Settings. Skip carousel. Carousel Previous. Carousel Next. What is Scribd? When John Dopyera found a local shop making metal boxes by crimping the edges together, he learned the technique from the foreman and applied it to metal guitars.

The first metal Dobros had solid headstocks and individual gear machines, at that time an expensive feature. But times had changed. Few of the M guitars sold in the Depression market. In a less-expensive line of Dobro metal guitars replaced the M series. The Model 32 had a painted steel body.

The Model 62 had a body of nickel-plated brass with stencil-sandblasted designs on the front and back. Two months later National-Dobro moved into a new factory at McKinley Avenue in Los Angeles, where the two lines came to share much equipment. The characteristic square slot ends of the earlier Dobros gave way to rounded slot ends passing through the headstocks at a slant, cut by the same router used on National guitars of that period.

McKinley Avenue Dobros typically have spun cones instead of stamped ones and serial numbers in the s. They include the Model 27 square-necks prized by collectors today. The earliest aluminum lap steels had no knobs. Later Dobro added first a volume and then a tone control. The aluminum guitar was discontinued by Louis Dopyera had bought out all his brothers and, except for a few odd shares, was sole owner of the company.

All five brothers continued to collect royalties for use of the Dobro brand name. Regal began using solid headstocks on all models of Dobros in a new serial number sequence beginning apparently at one and continuing into four digits.

Regal never numbered resonator guitars carrying its own trademark, except by accident. Regal mixed and matched hardware freely on all its Dobro guitars, apparently using whatever tailpieces or coverplates were handy at the time. That year Regal replaced the budget Model 19 with the Model 25, which had top and back binding and pointed f-holes, and introduced the Model 6, a small, two-tone guitar with f-holes and a mandolin-size resonator not specified as genuine Dobro, although many of them were.

The Model 6 had a moon-and-stars or diamond coverplate. The Dobro Spanish Electric Guitar had an archtop body with a two-blade pickup mounted in a square metal housing.

In Regal revised its prices and changed the Dobro line once again. The blond Model 5, with a mandolin resonator, joined the Model 6 in the bargain basement.

The steel-bodied former Model 32 became the Model The mahogany Model 37 disappeared from the line. Regal made a few Dobro guitars for which no model number is known. Some spruce-tops had f-holes instead of screenholes. These required fret necks to get the scale right. The U. President Roosevelt issued a limitation order restricting the use of critical materials. Louis Dopyera saw the handwriting on the wall. Within weeks of the bombing of Pearl Harbor, he sold all the assets of National-Dobro to himself and with his former employees Vic Smith and Al Frost started the Valco Corporation to go into war work.

According to Smith, Valco sold the Dobro hardware it had on hand to Gibson. Gibson experimented with a few resonator guitar prototypes in the s, but never put any into production. After the war Valco returned to the instrument business, building electric guitars.

Regal struggled along and declared bankruptcy in Zdravac Geranium macrorrizum Zdravac je niska, neupadljiva biljka skromnog cveta i jakog mirisa. On je biljka koja sami svojim imenom simbolizuje zdravlje. Iako se tada bere i drugo bilje, sam ritual se zove idenje u zdravac.

Od njega se pletu venci zdravlja radi. Samim tim je plod jabuke, svojom zdravo crvenom bojom i loptastim oblikom, jedan od tradicionalnih simbola zdravlja.

Kao takva jabuka se obavezno nosi kao dar detci, bolesnim, kao i svim drugim. Dobra devojka se poredi sa jabukom: zdrava i jedra ko jabuka.

Ona je i drvo znanja. U narodnim umotvorinama postoji od zlata jabuka.